“Woman, Captain, Rebel” by Margaret Willson – Review

By: Angie Haddock


A daring and magnificent account of Iceland’s most famous female sea captain who constantly fought for women’s rights and equality—and who also solved one of the country’s most notorious robberies.

Goodreads


Last year, I read a handful of non-fiction books about badass females… albeit, some better written than others. One was even written by the first lady of Iceland! So the reasons this book appealed to me should be obvious.

This is the story of Thurídur Einarsdóttir, who was born on the Southwest shores of Iceland in the late 1700s. She lived a long life, from 1777 to 1863, and spent all of it in roughly the same region. (Although she did take to traveling in her later years, it was all still within Iceland).

Thurídur was born to a poor family, and while she was very young, the area suffered from a volcanic ash-induced famine. Her dad refused a lodger, as they had no food in the house to offer him, but this was a cardinal sin in their culture. The lodger supposedly cursed his family for nine generations.

And here our story begins.

Despite the curse, Thurídur did fairly well for herself. She learned to fish as a young teen, and developed a knack for being able to read the coming weather. As her fishing skills grew, she became highly sought after as a deckhand, and even outearned many men on her boats. She was eventually hired to captain other people’s boats, even, and was trusted among the boat owners and the fishermen (and women) under her care. In fact, in 52 years of fishing, it is said that she never lost a crew member.

While she did not have much trouble getting her crew to respect her knowledge of the sea, she still did face some discrimination in life. She was known to wear trousers everywhere except to church, and later she added a top hat to her ensemble (just because she liked it!). She also did a lot of farming when it was the season for it, and could scythe hay with the strongest of men. So of course, some were put off by her way of living.

She was married a few times, and had one daughter who died in childhood. She later adopted her sister’s daughter, who was disabled. In her later years, she spent all of her money trying to make sure her niece would be taken care of after her own death… and that niece did live to be 89 years old!

We spend a lot of time in her home village getting to know all the townspeople, as she does interact with them constantly – both on land and at sea. So by the time a very brazen robbery happens, we have established that Thurídur knows everyone. A county commissioner is sent to town to investigate, and – not knowing the townspeople himself – immediately pushes her for her thoughts on it. (This set-up definitely made me think of the BBC’s “Broadchurch.” Anyone else?) She doesn’t want to implicate her friends, but starts pointing out clues the commissioner missed. This leads to confessions, and four area men being sent to prison in Denmark (which ruled over Iceland at the time).

After the convictions, Thurídur has a tougher time with her neighbors. Several make threats, and someone even goes so far as to set fire to a boat in her care. She still has many allies, also, and they try to help her. Eventually, she is forced to move to a bigger city nearby, where she starts out working in a shop. She also starts acting as a tour guide, leading travelers through the nearby mountains to other villages and cities. She remains lively and sharp into old age, but ultimately ends up destitute anyway (because she spends all her money on her niece).

This is a great story, and well written. There is drama, action, and politics.

When I first got this as an advanced reader’s copy, it was set to publish on January 31st of this year… but the date moved, and this book has already come out! We’ll still call it a new release, though. I read it thanks to Netgalley and the publisher, Sourcebooks.


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“Daughters of the New Year” by E.M. Tran – Review

By: Angie Haddock


In present day New Orleans, Xuan Trung, former beauty queen turned refugee after the Fall of Saigon, is obsessed with divining her daughters’ fates through their Vietnamese zodiac signs. But Trac, Nhi and Trieu diverge completely from their immigrant parents’ expectations. Successful lawyer Trac hides her sexuality from her family; Nhi competes as the only woman of color on a Bachelor-esque reality TV show; and Trieu, a budding writer, is determined to learn more about her familial and cultural past.

Goodreads


This one intrigued me for several reasons – firstly, the family in the book ends up in New Orleans. Secondly, astrology is fun. Thirdly, I tend to read a lot of books about characters from other places.

The story starts with all three daughter characters as adults, and we’ll call this the “present.” As we go through the chapters, we learn more about all of the daughters and their mom. The story is also moving backwards through time, though. We progress through their teenage years, see how the family fared during Hurricane Katrina, and move onward to their childhoods. The daughters all have their personal struggles, obviously, but they collectively deal with the pressures of being first generation Americans – like having parents who eat, shop, and speak differently than those of many of their classmates.

The chapters move around between perspectives, too, so we’re also consistently seeing things from the mom’s point of view. And eventually, we get to the parts of Xuan’s life from before she had her daughters – how she met her husband, how she left Vietnam, and the real story behind that beauty pageant trophy she prizes.

As we progress further, we start to see things from the perspectives of Xuan’s mom as well… and then her mom, and even further back. Most of these earlier generations are really only represented in the last quarter of the book, though. Here we learn about how their family was rich and respected in Saigon, and how they got that way.

I enjoyed this story, in both the New Orleans and Saigon parts. I also found the mom’s obsession with her daughters’ signs fun. (I should point out that she uses astrology based on the Lunar year, and not the Western kind many of us might think of first.) I did kind of wish that we knew more about what happens to the characters when we first meet them, though. For example, one is a contestant on a “Bachelor“-like program… but then we move back in time, and never know what happens to her on the show. It’s such a small thing, though, amid a very rich story.

This book came out in October, 2022. I read it through NetGalley, albeit after its release date, thanks to the publisher (Harlequin Trade Publishing) and BookClubbish.

Happy Lunar New Year, and Happy Year of the Rabbit!


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“The Sisters We Were” by Wendy Willis Baldwin – Review

By: Angie Haddock


The weight of their family secrets could not have shaped Pearl and Ruby Crenshaw any differently. Ruby’s a runner, living in Dallas and only reluctantly talking to their mother, Birdie, when she calls from prison. Pearl is still living in her mother’s fixer-upper and finds herself facing a line in the sand: her weight is threatening to kill her. She’s hundreds of pounds beyond the point where she can celebrate her curves or benefit from the body positivity movement, and unless she takes drastic action, the future looks dire.

Goodreads


I find that I get roped into reading more contemporary fiction than I intend to, but sometimes it pays off… and this is one of those times!

While this story is fiction, it’s based on some real experiences of the author and her sister. More on that later.

The sisters in the book are Pearl and Ruby. When I first read the description, I assumed Pearl’s weight was just a part of the setting, but it really is the main driver of the whole book. Pearl struggles at first to commit to bariatric surgery, but she knows she has to do something before she gets any bigger than her 531 pounds. She is obsessed with Chip & Joanna Gaines, and tries to view herself as a “fixer-upper” project.

She and Ruby don’t really talk anymore, and their mom is in jail. So reaching out to Ruby to ask her to come and help during her recovery is another hurdle Pearl has to jump to make this surgery possible. That’s on top of the cost, the idea of not bingeing Taco Bell anymore, and of course… seeing herself as “worth” all the work and money this transformation will need from her.

The book includes some notes from both the author and her sister, who really did weigh in at 531 lbs at one point. In the author’s notes, she mentions that other publishers turned down this story because they found a protagonist that size “distasteful.” Obviously, this is just plain sad. For starters, I’m sure some people that size are readers, and would love to see themselves represented! But also…

The first half of the book is pre-surgery, so the struggles to make the decision and go through with it are really as much of the book as the actual weight loss. And I think that’s what makes it universal. As much as it does deal with transformation, it also deals with finding the motivation to take those first steps. And isn’t that something most of us struggle with? (Especially this time of year!)

The book also delves into the reasons these sisters are dealing with the struggles they’re dealing with. Content Warning: one of these that is not revealed until very late in the story has to do with sexual molestation.

I, for one, applaud Sourcebooks Landmark for publishing this book! It is the debut novel from Wendy Willis Baldwin, and a topic that I have not previously read a lot about. This look at obesity – and a real human suffering its effects – was at times poignant, funny, triumphant, and informative (for someone who hasn’t gone through such a surgery).

This one comes out today, January 17th. I was able to read an advanced reader copy through NetGalley and the publisher.


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“On the Come Up” Directed by Sanaa Lathan – Movie Review

By: Angie Haddock


I just read this book a few months ago, and sat down to write my review the same day the movie came out!

The movie gets right into the grit of the story, showing flashbacks of Jay leaving her kids before we really even see where they are now. The first thing that struck me as “different than I pictured” was the ring, though… in that all the rap battles there are done a cappella, and not with beats behind them. A minor thing, for sure, and nothing to sweat.

As it went on I found that, in streamlining the story to fit into two hours, the movie cut out a whole slew of characters: Bri’s grandparents, and any of the scenes at church are gone. So is Curtis, the boy she befriends there. Malik and Trey’s girlfriends are also missing, and Bri and Malik become romantically involved instead.

This brings me to another major change: instead of cutting her first track with Pooh’s friend, movie Bri – along with Sonny and Malik – are all flown down to Atlanta on Supreme’s dime for her to record. This section, around the middle of the movie, gets a little more “Pretty Woman” than anything we saw in the book. Supreme gets Bri new clothes, everyone goes clubbing. This is where Bri and Malik become involved, and also where Milez and Sonny become involved. (In the book, they met online first, and Sonny didn’t know it was Milez.) So this section brings some of the biggest deviations from the book.

Plenty of other important plot points remain the same, though, and overall the movie was pretty good. I liked the casting. Bri seemed almost too innocent, but that worked toward the end when her mom was trying to make a point to the school board that she was “still a kid.” It felt right to have the likes of Sanaa Lathan, Mike Epps, and Method Man as the grown-ups in the movie. I wasn’t familiar with Da’Vine Joy Randolph, who played Aunt Pooh, but she was perfect. (Looks like she’s a Broadway vet.)

This one is streaming on Paramount+, if you are interested in watching it.


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“The Lindbergh Nanny” by Mariah Fredericks – Review

By: Angie Haddock


When the most famous toddler in America, Charles Lindbergh, Jr., is kidnapped from his family home in New Jersey in 1932, the case makes international headlines. Suddenly a suspect in the eyes of both the media and the public, Betty Gow must find the truth about what really happened that night, in order to clear her own name—and to find justice for the child she loves.

Goodreads


I felt like we needed a good ol’ fashioned Historical Fiction over here, and this one piqued my interest. Fun fact: my eighth grade honors history class did a mock trial at the end of the year, and we re-enacted the Lindbergh kidnapping court case. So, I’ve been familiar with the basics of this story since I was 14.

Because this one is based on real events, I am not going to hold back on “spoilers.” The basics of the case, for those who are not familiar:

Charles Lindbergh and his wife, Anne Morrow Lindbergh, were super famous. They tried to mostly keep their first-born, Charles Jr., out of the public eye. When Charles Jr. was 20 months old, he was kidnapped from his crib while all the adults of the house were home. A broken ladder was found nearby, which was assumed to be how the kidnapper got into his second floor bedroom. There was a ransom note left. The Lindberghs paid the ransom, but the baby was not returned at that time. His body was later found in the woods near the house. The police kept trying to find out who did it, even after the body was found, by tracking the bills that had been used to pay the ransom. Eventually, they arrested and tried a German immigrant who had no known ties to the family.

In this retelling, the kidnapping takes place around 40% into the book, and the baby’s body is found at around 60%. Which brings me to my only struggle here: there is a lot of backstory presented before the “big event.” But really, while it felt like a lot while getting through the first 4o% – during the investigation, every little detail comes back up to be questioned. So, in reality, that immense background is necessary.

While this story is told from the nanny’s perspective, it really shines a light on the lives of all the “help” that work for both the Lindberghs and the Morrows. (As in, Charles Lindbergh’s in-laws.)

The house where the kidnapping took place was actually still being built, so the family was often staying at the Morrow’s estate instead. The Morrow property had a gate and a guard out front, so it made sense to target the other house. But, who knew when the Lindberghs would be there? This becomes a central question. While the man eventually arrested for the kidnapping had no known connections to the family, the idea is that someone on the inside had to have leaked the whereabouts/schedule of the baby – intentionally or by just being careless.

So everyone inside the house becomes a suspect. As does any romantic partners they have, people they may have been out drinking with that night, etc. And, if a character was drunk that night… what are the odds they’ll remember everything accurately, anyway? This spreads suspicion on so many characters. One, Violet Sharpe, even commits suicide. Was she hiding something, or just overwhelmed by the pressures put on the staff by the police?

We do eventually get all the way through the trial, in which our main character, Betty Gow, is ultimately exonerated. But even she continues to question those around her.

The writer presents the story with the assumption that the man accused really was the kidnapper, but he had an unwitting accomplice on the inside. I don’t think we’ll ever really know the details on that, as most of the real people are now deceased (and some were already deceased by the time of the trial). But it makes for a compelling read, nonetheless – especially for fans of true crime.

This book comes out today, November 15th. I was able to read ahead on NetGalley, thanks to the folks at St. Martin’s Press.


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“Lessons in Chemistry” by Bonnie Garmus – Guest Review

By: Abby Phoenix


Hi, I’m Abby! Like a lot of people, I have gone through several ebbs and flows in life with reading, from a childhood with my nose buried in a book, through various love-hate relationships with school-assigned reads, to the exciting rediscovery of reading again for pleasure in adulthood. 

Nowadays, I’ve settled into a life routine where I try to always make space for my current read, because it just helps my mood so much when I have some sort of book that I can dive back into in my spare moments. I love being absorbed into a good story, so I mostly stick to fiction. That love of being immersed into a story’s world means that I’m one of the few avid readers I know who cannot (I’ve tried and always fail!) read more than one book simultaneously. 

In the last five years or so, I’ve also tried to make it a habit to primarily read books not written by white men, in an effort to balance out all the reading I did until that point. Initially I thought that might be a difficult or overly limiting restriction, but instead, I’ve found it to be both easy to do, and incredibly enriching in terms of expanding and challenging my perspectives on the world – the very thing that we hope all books can do for us!


Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo.

Goodreads


“History is written by the victors” – a quote that is so true that, of course, even its own origin underscores the point that the loudest and most famous voice gets to claim sole ownership of our collective story.

Most of us know this to be true with just a little bit of critical thinking: life never has been a single, streamlined story fitting the clean few paragraphs we read in our history books. Countless stories are discarded (often forcibly) from our histories in favor of the narrative most favored by those in power, until enough time passes that we accept that story as solid fact. 

But on the other side of fact is fiction, oh, fiction. 

Fiction has always been a welcoming home for the stories untold, the ones that we know have always existed too, and might be even better. One such narrative is found in the extremely appealing period novel “Lessons in Chemistry,” by Bonnie Garmus, which introduces us to Elizabeth Zott, a woman who seems to exist completely outside of her time.

Elizabeth’s 1960s American setting expects women to be homemakers whose sole priority is keeping their husbands and children happy. As a brilliant chemist who’d love to be laser-focused on her work and nothing else, Elizabeth’s only request of the world around her is to be taken seriously as a scientist. But when she’s of course stymied in her original path by the standard tools of repression (the one-two punch of structural discrimination and societal shame), only one life option opens up to her as a possible path forward. That option, combining the identities deemed appropriate for a woman of her time (cook, teacher, and actress) and the era’s shiny new medium: a television chef.

Giving Elizabeth this platform though proves to be a mistake for those who would prefer she stay in her pre-assigned place. Looking through our 2022 lens, we all now know something that they were still waking up to in the 1960s: television has a way of lending automatic authority to anyone on its screens, and flattening their identity in the process. Elizabeth’s newfound notoriety helps her achieve a version of her original goal of establishing herself as a scientist, by the simple act of calling herself one on television. 

Additionally, and more powerfully, by using a medium that gives her direct access to women around the country (“this is a show for normal housewives!” is a message she receives repeatedly) Elizabeth is able to broadcast her profound expectations for all other women in the world. This is based in simple fact: modern society only operates as well as it does due to the consistent hard work that half of the population puts into keeping it moving. That work has tangible value, whether or not it’s socially and economically recognized. Crucially, Elizabeth both sees and inspires others to see the potential in this women’s work: women can do this, and they are capable of so much more too.

It’s a heady journey to witness, and Elizabeth and the characters who surround her (both human and canine) are largely likable compatriots on that path. But while the story itself may make you pump your fist or at the very least, nod along towards its satisfying conclusion, it’s worthwhile to examine this enjoyable read a bit more closely. Characters like Elizabeth star in so many of our favorite fictional stories that purport to tell some of the real story of the history we know: the single person who thinks differently from everyone around them and stands up to the system. This story of a charismatic iconoclast like Elizabeth igniting change in a whole society that never encountered someone quite like her is certainly cathartic as we try to reconcile how times seem to shift so quickly, turning American women from Donna Reeds to Gloria Steinems in the space of a mere decade. But it’s also a lie. 

Just like in the 1960s, and in all times before and since: there is no one Elizabeth Zott coming to save us – instead, it is incumbent upon us all to tap into our internal Elizabeth in ways small and large as we work together to build our own stories of what will hopefully one day become our history.


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“The Girl Explorers” by Jayne E. Zanglein – Review

By: Angie Haddock


The Girl Explorers is the inspirational and untold story of the founding of the Society of Women Geographers―an organization of adventurous female world explorers―and how key members served as early advocates for human rights and paved the way for today’s women scientists by scaling mountains, exploring the high seas, flying across the Atlantic, and recording the world through film, sculpture, and literature.

Goodreads


I’ve delved into a lot of stories about badass, historical women this year! This one seemed like a perfect fit with that theme. And, while the individual stories were often interesting… the book as a whole was frustrating.

The author introduces us to an actual society that existed (and still exists) for women explorers. It was founded because, at the time, women were excluded from other similar societies/professional groups. And yet, women were going on travel expeditions, writing books about their travels, and more!

One of the ongoing themes that really struck a chord is that, often, women were part of bigger (co-ed) expeditions that men took all the credit for. They helped write (or type, or edit) the travel books that had men’s names attached as the sole author. Or they took all the photographs. Sometimes these men were their husbands or lovers, but not always.

As I said, the individual stories were often interesting. Some members whose names are still known include Margaret Mead and Amelia Earhart, for example. Others traveled to Asia and South America; some were artists, divers, filmmakers, or mountain climbers. The book also delves into the suffragist movement a little.

This brings me to one of the missteps I felt like this book took… as it went on, it started bringing up all kinds of social movements of the time, including the plights of other races and of the LGBT community. Most of the women of the Society were white women of some means (at least enough to travel regularly), and tying their causes to some of these other ones seemed like it was treading close to becoming a “white savior” narrative.

The author tries to tie every story/chapter to the next, and often these transitions seem forced. Also, as some women were older than others, the stories skip back and forth in time, making these transitions even more wonky. The book as a whole didn’t feel like it had a great flow, if you will. Of course, this is just my opinion.

Overall, I’m glad I pushed my way through this one. I was happy to learn about some of these women, and their work, many of whom I had not read about before. But as a whole, the book felt a little like “work” to get through.

I was able to read this one for free through the Sourcebooks Early Reads program.


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“Jane Eyre” by Charlotte Bronte – Review

By: Angie Haddock


Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit.

Goodreads


This one was first published in 1847, so I’m not going to worry about spoilers with my review. And if you haven’t guessed it, this was my pick for this year’s #SummerClassic.

The story takes place in roughly five places. The first is the mansion of Jane’s aunt, where the orphaned Jane lives with her aunt, three spoiled cousins, and various servants. The family of the house treats Jane like a second-class citizen, and she is utterly miserable. Around the age of ten, she is sent away to a boarding school. At first, this stage of her life looks like it will be just as miserable as the first. But, Jane proves herself and actually ends up thriving at the school. She even goes on to teach there for 2 years after she finishes her schooling. But eventually, she wants to see more of the world, and interact with other people.

This brings her to Thornfield, where she is hired as a governess to a young French girl who is the ward of the master of this old mansion. She befriends the girl, and several servants there, but the master of the house is initially absent. She eventually does meet Mr. Rochester in an eventful scene, where he injures himself making his way home.

Jane and Mr. Rochester strike up an odd relationship (in my mind). They enjoy each other’s conversations, in part because they feel they can be honest with each other – including being a little antagonistic at times. In fact, Rochester pretends to be engaged to someone else for almost a month just to see if Jane will be jealous.

Jane is in love with him, but doesn’t really consider herself lovable. So it’s quite a shock to her when he asks her to marry him. She does say yes, though.

Here’s the thing: we’re only 55% through the book at this point. So is the back half her married life? Nope.

All along, something’s been weird at Thornfield. Jane assumed it was one crazy servant named Grace, and couldn’t understand why Rochester was protecting her (not firing her, or wanting to talk about it). Then, as Jane and Rochester are about to be married, we learn that… he is already married! And the first wife is both crazy and locked upstairs at Thornfield. Grace, in fact, is actually her caretaker.

So the next morning, before anyone else is awake, Jane runs away. She spends a few days on the road, but eventually finds shelter with some siblings who are just a bit older than her – two sisters and one brother – and their sole servant. The brother is a local minister, and has recently set up a girls’ school, so Jane ends up working there. She eventually comes to learn, through the passing of a distant uncle, that these three are her cousins. They also inherit money from the uncle, which changes her circumstances.

In the year or so she lives with her cousins, she does write to Thornfield to check on Rochester, but no one answers. Her male cousin is pressuring her to go to India as a missionary with him, and she is conflicted about it. She decides she needs to know for sure what happened to Mr. Rochester before she can decide on leaving the country. So she heads back to find that the mansion had burned down not long after she left. The crazy wife set the fire, and did not survive the incident. Most of the inhabitants have gone on to different places, while Mr. Rochester – now blind – lives with just two servants in a nearby cottage.

Jane finds him there, and they finally marry. She lives the rest of her days with him, but continues to see her cousins semi-regularly. The male one does travel to India, so she only hears from him by mail. We learn that Jane is telling this story ten years into her married life, so she is only about 30 years old at the time, but that is where this story ends.

This was my first foray into any of the works of the Bronte sisters! Having finally read it, my question for you, readers, is… is there a particular movie version you love that I should check out? Hit me with the recommendations!


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“The Woman They Could Not Silence” by Kate Moore – Review

By: Angie Haddock


1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of twenty-one years is plotting against her because he feels increasingly threatened – by Elizabeth’s intellect, independence, and unwillingness to stifle her own thoughts. So Theophilus makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum.

Goodreads


This was both a fascinating and frustrating read! It tells the true story of Elizabeth Packard, and most of the story takes place in the 1860s.

When we first meet Packard, she is already at odds with her husband of 20-some years, Theophilus. (Even his name is perfect for him, as he’s a preacher.) They share five children, the youngest of whom is just barely out of infancy.

Elizabeth Packard is fairly educated, and she’s been reading. But more than that, she’s been thinking on her own. Specifically, her husband had been affiliated with a more liberal/modern branch of Presbyterianism, but had recently switched to a more conservative branch. Elizabeth didn’t love the “fire and brimstone” lectures, and was disillusioned with this branch because they were against the abolition of slavery. So, she had begun speaking up in some of the church groups that she belonged to. Her husband was the minister, so her disagreeing openly with his views was just not acceptable.

So Theophilus sends Elizabeth to the state’s insane asylum. This facility had patients of both genders, but Elizabeth really only sees the women’s side of things. The man in charge is Dr. Andrew McFarland, who is well respected in his field. (Of course, the idea of treating mental health issues was very much in its infancy, and there were many differing views on it at the time.)

At first, McFarland is friendy toward Elizabeth. She is put in a decent room, and allowed special privileges like walking the grounds unaccompanied. She feels sure the doctor will see that she is obviously sane, and will allow her to leave in mere months. He does encourage this belief at first. But when Elizabeth does not leave, she starts using her privilege to speak up about things she witnesses, and is eventually put into a different ward… where she witnesses even worse things.

She ends up being there for several years, and her status there goes back and forth. She often has friends on the inside – disgruntled staff, usually – who are willing to help her get letters out and such. But she also finds that McFarland intercepts any incoming letters, so she never knows if her friends on the outside are willing to help. She also knows that she can only be let go into the care of her husband, while still married. But if she asks for a divorce, Theophilus would get custody of the children. There is no easy wins in her forseeable future, because she is, in essence, her husband’s property.

Even when Elizabeth does get released from the asylum – by a board of trustees, not McFarland – we know her fight is far from over (mostly because there’s still a lot of book left!). She initially gets free from Theophilus, only to go back by her own volition because she wants to see her children. She ends up locked up again, but is eventually able to stand trial to determine if she is actually insane or not.

She also starts self-publishing her writings on her time in the asylum. This is important for two reasons. Firstly, she starts making her own money, so she can be financially self-reliant. Secondly, she brings light to the issues in the asylum there, and in asylums in general, which starts getting the public interested in the matter. This leads to her eventually touring across the country advocating for both patient’s rights and women’s rights, mostly in state legislatures.

This is an incredible, infuriating, and ultimately redeeming read. I was able to read it for free through Sourcebooks Early Reads, but it’s available everywhere.

(Don’t forget, I keep a bookshelf of books I’ve reviewed here on Bookshop.org, too, if you’re looking for your own copy!)


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“How You Grow Wings” by Rimma Onoseta – Review

By: Angie Haddock


Sisters Cheta and Zam couldn’t be more different. Cheta, sharp-tongued and stubborn, never shies away from conflict—either at school or at home, where her mother fires abuse at her. Timid Zam escapes most of her mother’s anger, skating under the radar and avoiding her sister whenever possible. In a turn of good fortune, Zam is invited to live with her aunt’s family in the lap of luxury. Jealous, Cheta also leaves home, but finds a harder existence that will drive her to terrible decisions. When the sisters are reunited, Zam alone will recognize just how far Cheta has fallen—and Cheta’s fate will rest in Zam’s hands.

Goodreads


We dive right into this book with Zam walking home from school – and in short order we meet her whole family, learn about the family dynamics, and learn about some of their local customs. Zam and Cheta live with their parents in a small town in modern day Nigeria.

As mentioned in the description at top, Zam gets out of her anger-filled home by moving in with her rich aunt and uncle. She gets this proposal because of how well she’s doing at school, and Cheta immediately resents that she was never offered this deal.

Their uncle is super rich (in the oil business), and life at his house takes some time to adjust to. There are two other teenage girls in the house – Kaira, Zam’s cousin, and Ginika, a family friend who often stays with them while her parents are traveling abroad. Kaira is initially standoffish, but Ginika is sociable. They both harbor anger at their mothers, and the girls all eventually bond over this common problem.

Cheta comes to visit for one week. She has recently graduated from high school, and comes with the idea that she will ingratiate herself to their aunt and get a job with her. It doesn’t work. She was already so set on leaving home, though, that she does it anyway, without a real plan.

After an incident leaves Zam’s aunt and uncle feeling shaken, they decide to move – with all three girls – to London. Kaira is finally able to start breaking down the wall that had grown up between her and her mom, before the girls leave for boarding school. Another family member who is helping them there also sheds some light on Zam and Cheta’s family, and how the two girls actually got along better when they were younger. Zam feels compelled to reach out, but gets no answer.

On a trip home for Christmas, Zam sees her family again, after months of being away. Cheta also rolls back into town from Benin, where she’s been keeping her distance. Their mother treats Cheta like she is basically disowned already, but Zam still wants to try to help her sister. There is one startling revelation near the end of the book, and Zam has to make a drastic decision. Finally, both girls head back out into their separate worlds.

I don’t want to reveal too much about the ending, but I will say that I’ll be thinking about it for quite some time!

This compelling Young Adult novel comes out today, August 9th. I was able to read an advanced copy through Netgalley, and the publisher, Algonquin Young Readers.


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