“Lavender Clouds” by Bex Ollerton – Review

By: Angie Haddock


Lavender Clouds is a collection of autobiographical comics about mental health, neurodiversity and feelings!

Goodreads


This is the second autobiographical comic/graphic book I’ve covered this year! I did not previously know this was a trend, but I definitely could see it becoming one.

Admittedly, I picked this one because my favorite color is purple. But also, May was Mental Health Awareness Month… and topics like neurodivergence, mental health, and self care are becoming more openly discussed. (Oh look, Word Press doesn’t think neurodivergence is a real word! I guess we still have so much room to grow, right?)

It would be hard to discuss “story” here, as the book is more a collection of different – albeit multi-pane – comics about the topics at hand. A few themes travel across multiple pages in a row, but some don’t.

I’m including two pics here so you can get a good feel for the art style. Our main character, the avatar for the author, has long pink hair and a cute, anime-influenced look. She is clearly a writer and artist, as some of her work-related worries within the panes indicate.

And while deadlines and schedules are certainly among her worries, social interactions and her attitude toward herself are also high on the list.

There are no big “solutions” to these issues, and certainly our main character doesn’t find any – except the idea of acceptance. Trying to be “ok” while still in the mess. Which all of us could use a reminder to do sometimes.

This book comes out today. I read ahead through Netgalley and Andrews McMeel Publishers.


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“The Last Decade of Cinema” by Scott Ryan – Review

By: Angie Haddock


Ah, the nineties. Movies were something in those days. We’ re talking about a decade that began with GoodFellas and ended with Magnolia, with such films as Malcolm X, Before Sunrise, and Clueless arriving somewhere in between. Stories, characters, and writing were king; IP, franchise movies, and supersaturated superhero flicks were still years away. Or so says Scott Ryan, the iconoclastic author of The Last Days of Letterman and An Oral History, who here turns his attention to The Last Decade of Cinema— the prolific 1990s.

Goodreads


I would say that this book speaks to people in my age range… but really, anyone can enjoy movies from any era, if they seek them out and choose to watch them!

But this was a fun romp down memory lane for someone who actually remembers some of these movies from when they were first out (either in theaters or on VHS).

For this examination of the author’s favorite decade of movies, he watched about 160 movies from the era, and chose 25 to write essays about. Aside from the deep dives into individual movies, though, Scott Ryan pontificates a lot about why the 1990s was, in his mind, the “last decade of cinema.”

(Spoiler: a big part of that was the shift to digital projection, and/or just watching stuff at home. Yes, he has a noticeable dislike of big franchise movies, too, but that really comes later than 2000.)

I can’t say I’ve seen every movie on his list, or agree with every point he makes. This book is full of subjective opinions, albeit from someone who knows a lot about movies. The fun is just in thinking about these gems, or thinking about them again after a long time. And, of course, maybe considering watching some that this viewer/reader passed on when they first hit Blockbuster Video.

Just to whet your appetite, a few of the movies he highlights include:

Pretty Woman, Terminator 2, Malcolm X, The Shawshank Redemption, Pulp Fiction, Swingers, The Birdcage, The Big Lebowski, and The Cider House Rules.

The essays are organized by year. He also includes some short (one paragraph, mostly) thoughts on some of the other movies he watched, and a full list of all of them at the end. So, even after the big thoughts on the 25 heavy hitters he picked to focus on, you can keep the nostalgia going by seeing the full list and remembering other faves from the era.

This book is for you if you have ever had lengthy discussions about the likes of Ben Stiller, Jon Favreau, or even Martin Scorsese and Robert DeNiro. Or if you haven’t, but aspire to someday. If you’re in film school, just do it.

This trip through a bygone era is out today. I read ahead on NetGalley, thanks to Black Chateau and BookFest.


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“In the Garden Behind the Moon” by Alexandra A. Chan – Review

By: Angie Haddock


Alexandra Chan thinks she has life figured out until, in the Year of the Ram, the death of her father—her last parent—brings her to her knees, an event seemingly foretold in Chinese mythology.

A left-brained archaeologist and successful tiger daughter, Chan finds her logical approach to life utterly fails her in the face of this profound grief. Unable to find a way forward, she must either burn to ash or forge herself anew.

Goodreads


This is a long and winding read that weaves multiple ideas throughout. The physical version is over 400 pages, but I promise there are lots of pictures.

The first principle that is important to understanding the author’s aims here is the difference between “logos” and “mythos.” Logos is facts, logic, knowledge. Mythos is story, and the underlying meaning behind the facts. Chan then takes us along with her on a quest to get in touch with more mythos in her life.

Her paternal grandfather came here from China, and settled in Savannah, Georgia. Both he and her dad lived pretty long lives, and accomplished a lot for people who initially lived under Jim Crow and were not considered white. She tells us many stories of these two generations of her family – and some of her mom, as well – but mostly she is focused on excavating chapters of her dad’s life. He was already 60 when she was born, so there was a lot that came before her! His time in WWII features prominently, as told through his old letters to his first wife.

Eventually, she does some geneological digging, and learns of a few ancestors on her paternal grandmother’s side. These stories come late in the book, but are just as wild as the others she grew up knowing.

Interspersed with these family stories, though, are the present: what she is doing and feeling in these years, nearing and after her father’s death, that prompts her to dig up these stories. And learning about her dad’s life isn’t the only way she finds to connect to the mythos in hers: travel, gardening, painting, and poetry are all featured prominently.

While there are many pretty pictures and interesting tales, obviously this book is not all pretty things. There is much talk of war, as mentioned earlier. Grief is a major theme. Being descended from immigrants, racism, and whether we carry intergenerational trauma are all there, as well.

This book is out now, and would appeal to people more interested in mythos than logos: artists, poets, philosophers of all shapes. It might frustrate some, though, who want a story to be in a logical order. It’s a beautiful ride, though, if you’re willing to just “go with the flow.”

I read this one through NetGalley and the publisher, Girl Friday Productions.


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“Service Model” by Adrian Tchaikovsky – Review

By: Angie Haddock


Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into their core programming, they murder their owner. The robot then discovers they can also do something else they never did before: run away. After fleeing the household, they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating, and a robot ecosystem devoted to human wellbeing is finding a new purpose.

Goodreads


As a reader of science fiction, I’ve seen the name Adrian Tchaikovsky many times… but this was my first time actually checking him out. I chose the audiobook version of this new release, which was read by the author.

This book was humorous from the start, albeit in an absurd sort of way. It reminded me a bit of Douglas Adams in that respect.

Our main character is a personal valet service model named Charles. But, after he leaves his assigned manor, he has to leave the name behind… so another unit, needing something to call him, assigns him the designation “UnCharles,” which is what he is called for most of the book.

The first place UnCharles visits is a diagnostic center, where he will hopefully find out why he killed his master. One character he meets there is called “The Wonk.” The Wonk becomes his travel companion for most of the rest of the book.

At the center, we also see some of the futility of these robots’ existence. We learn, for example, that many of them have been waiting for years just to be seen. The Wonk convinces UnCharles that he’d be better able to fulfill his real life mission – to serve humans – by escaping.

In his quest to find humans to serve, UnCharles travels to a few other locations that might have some living humans. During his travels, he finds former cities that have been abandoned, a “library” dedicated to digitizing every known fact and story, a “farm” whose sole purpose is to re-create the life of the average office worker, and eventually a group of scavenger robots who are at war.

He also begins communicating with”God,” via a direct link.

The absurdity he finds at every turn, of course, is meant to show off some of the absurdities in our own society.

All the while, The Wonk’s personal mission is to figure out what went wrong. She wants to believe that the robots are to blame for humanity’s downfall… she firmly believes in a “protagonist virus” that allowed them to bypass their programming and rebel. She eventually does find some answers, but they are not what she anticipated.

This was a fun and funny book, and I enjoyed listening to the audiobook version. (If you read it in print, may I suggest imagining everyone having a British accent?) The reader can read as much as they want to into the underlying commentary on where humanity is heading – or not.

“Service Model” is out now, wherever books are sold. I listened ahead via Netgalley and MacMillan Audio.

(Netgalley readers will hopefully sympathize: somehow I managed to have multiple ARCs to read/listen to that were being released on May 28 and June 4. So, over the next few weeks, you’ll see those sprinkled into our posts… even though they’ve already been released into the world now!)


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“The Grandest Garden” by Gina L. Carroll – Review

By: Angie Haddock


Bella Fontaine is on her own. Fresh out of college and with the winnings from her first international photography competition, she decides to leave Los Angeles to forge a new life in New York City. But will she be able to overcome the trauma of her childhood and her break from home to make it as a successful artist and professional photographer in a new city? Or will her secrets catch up with her, and keep her from developing the relationships she needs to make her dreams come true?

Goodreads


This is a sweet coming of age story, of sorts… in that our main character is already technically an adult, but is just setting out on her own for the first time.

We immediately meet Bella and her mom in crisis, and we can see how fragile her mom’s mental state is. But we get more of the story later, as the book alternates between the present and the past.

Bella grew up in L.A. Her grandparents lived nearby, so she saw them regularly. Her brother was closer to their grandpa, who passed away while they were still pretty young. And their mom had mental health issues from time to time. Bella spends a lot of time in each of her grandmothers’ gardens, and the two older ladies love to debate the differences between their different flowers, herbs, etc.

As Bella moves into her teens, one grandmother starts showing signs of dementia. She takes a fall, and is not expected to live alone after that. Bella’s mom has gone to a place to “get well,” and Bella expects that her mom can take care of her grandma… but instead, her dad arranges for the grandmas to move in together. Nevertheless, her mom does not come home.

After college, Bella moves to NYC with the hopes of making it as a photographer. Some of her pictures had won a contest already, and a man with ties to a local gallery in the city has told her he could get her a show there. But after arriving in the city, she realizes he doesn’t have as much pull at the gallery as she thought he did. They work together to try to get Bella’s work in front of his mom, who really has the power.

Eventually, Bella recognizes that some of the older woman’s quirks are really the early signs of dementia she had seen before. She takes on befriending Ellen, the head of the gallery, because she believes her own grandma’s mind had been helped by gardening – both the act of it, and some of the things grown therein. She does help Ellen’s mind, and by becoming one of Ellen’s favorite people, gets her artwork in the gallery as well.

Along the way, there are many other ups and downs as Bella learns to navigate a new city. She has three possible love interests, and longs to find some black girlfriends. She does make connections easily in the world of the local community gardens, and pays the bills by photographing weddings and events.

We follow Bella’s journey for her first year and a half in the city, when she is finally able to show her work in Ellen’s gallery. And her whole family comes out to see it, where we see that her mom is doing much better than she was earlier.

The themes of this book, officially from the publisher, include: intergenerational trauma, mental health, identity exploration and belonging, exploration of female relationships, urban migration and pursuing dreams, nature and healing.

This one comes out today. Thanks to Sparkpress for sending us an advanced copy.


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“Medicine Wheel for the Planet” by Jennifer Grenz – Review

By: Angie Haddock


A farm kid at heart, and a Nlaka’pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren’t making the meaningful change needed for plant, animal, and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing.

Goodreads


Obviously, this book fits in with a lot of the reading I’ve been doing this year on climate change. But it also fits with one of my reading themes from last year, in that it is about Indigenous life and is by an author with ties in that community.

We first learn a lot about the author herself. Her great-great-grandparents moved into the “colonial” world, and hid the fact that they were Indigenous, to protect their children. The next generation, while still knowing their ancestral languages, went even further and never spoke them in front of their own children. So the next generation of kids – the author’s grandma and her siblings – did not even know that they had Indigenous roots.

The author grew up working the land, though, as it was part of her family’s traditions. She knew she wanted to do something related to that when she grew up, and studied ecology. She introduces the idea of “Eden ecology,” where the goal is to return an area to its “former” state… but what does that even mean?

It’s often governments who initiate these programs, and there is this unspoken ideal that the land/plants/wildlife need to be like they were in a particular area before humans messed it up. But, as an adult the author comes to realize that, when looking through an Indigenous lens… people were always here. Humans are part of the ecosystem. And they farmed, fished, and engaged in animal husbandry of their own sorts, even if it didn’t look like the industrialized version we see today.

The concepts in the book are organized in the four “directions” of the Medicine Wheel: North for knowledge from the Elders; East for starting on a learning journey, often represented by being young or being a novice; South for being a “young elder” who is ready to work with others and keep the knowledge flowing, and who knows to expect that change is inevitable; and West, ready to put the lessons into action. (But also, with the understanding that one will travel around this cycle many times – perhaps on a different topic entirely, or because new information needs to be taken in about the topic at hand.)

One main theme here is whether or not Indigenous and Westernized views can ever truly be integrated – and whether or not Western science is even interested in that, or just sometimes gives the idea lip service.

Another, though, is that humans are inherently part of our environment. We need to take an active role in learning about the land (and waterways) around us. And she talks about the power of story – her own, but also stories of a particular place. We can look at the plants, wildlife, etc. as an ongoing story to see if we can figure out where things took a turn, where they might need to go next, etc. The Indigenous worldview sees all creatures as “relations,” and we can all benefit by examining our relations to each other – human, animal, plant, land, water, government, learning systems, and so on.

This book comes out today, and I was able to read ahead via Netgalley and the publisher, University of Minnesota Press.


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“The Guncle Abroad” by Steven Rowley – Review

Rejoice, fellow Steven Rowley fans – it’s #pubday for “The Guncle Abroad!”

By: Angie Haddock


Inspired by his stint as Grant and Maisie’s caretaker after their mother’s passing, Patrick O’Hara has “un-stalled” his acting career with sit-com, Guncle Knows Best . Still, some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single and lonely… But at least he has family, right?
When his brother Greg announces his big, second wedding in Lake Como, Italy, Patrick flies to Europe to attend the lavish event, only to butt heads with a newfound Launt (Lesbian Aunt), curb his sister Clara from flirting with guests, and desperately restore himself to the favored relative status in the eyes of the kids, as they struggle to adjust to a new normal. But is it Patrick’s job to save the day? Or is simply celebrating love enough to quell the family chaos?

Goodreads


This is a sequel, and I do feel like reading the first one first would make sense in this scenario – at least, to understand the established relationships between the main characters. Both outings here will make you laugh and cry!

In the first book, Patrick learns to embrace his role as GUP – Gay Uncle Patrick – to Maisie and Grant. During the course of that book, he coins many “Guncle Rules,” lessons he thinks they should learn. In this one, he starts teaching them “Guncle Love Languages,” hoping to help them understand why their dad (Greg) wants to remarry.

We catch up with Patrick while he is filming a movie in London. His brother’s impending wedding will take place in Italy, where the bride’s family resides. Greg confides that the kids are struggling with all this, so Patrick jumps in to spend some time with them before the big day. They meet up with him in London, and will travel slowly around Europe until making it to Italy.

One of the first things that stood out to me, when reading, was how silly and fun some of the quips are. It brought me right back into the world of these characters, as GUP & Co love some good zingers and goofy portmanteaus. Early on, Patrick even laments the lameness of sequels. A funny and “meta” touch.

I enjoyed their travels, and the “Love Languages” along the way – which is why I was a little surprised that their little entourage met up with the rest of the wedding party in Italy at only about 40% into the book!

The next portion brings a lot of drama, and brings up memories of Sarah, the deceased mother of Maisie and Grant. There are also shenanigans, of course, as Patrick strikes up a rivalry with the kids’ soon-to-be lesbian step-aunt. The group still goes on some adventures, albeit within short rides from the hotel; and GUP still tries to impart some bits of wisdom here and there. Overall, the back half felt a little heavier, though.

(Despite the recurring Groot-related jokes. You read that right.)

The last bit throws in a few surprises, and some big life changes for everyone involved. I won’t spoil those, though.

“The Guncle Abroad” comes out today, and I was super-excited to be able to read it in advance thanks to NetGalley and the publisher, Putnam Books.


Other Steven Rowley reviews:

The Celebrants

The Guncle


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“19: The Musical” by Jennifer Schwed and Doug Bradshaw – Audiobook Review

By: Angie Haddock


19: The Musical is the dynamic and little-known story of Alice Paul, Ida B. Wells, Susan B. Anthony, Carrie Chapman Catt, Inez Milholland and the other suffragists who fought to get women the right to vote — the 19th Amendment. The inspirational story of these fearless women is brought to life through jazz, traditional musical standards style, spoken word, and hints of gospel. Alice Paul and the suffragists’ fight for equality have been re-imagined for a new generation with a poignant and uplifting message that will resonate for years to come.

Goodreads


Firstly, as this is a full cast recording, I don’t feel like that byline gives it justice:

Book and lyrics by Jennifer Schwed and Doug Bradshaw.

Music composed and arranged by Charlie Barnett.

Featuring the voices of Katie Ganem, Millicent Scarlett, Maria Ciarrocchi, Brenda Parker, Meredith Eib, Brian Lyons-Burke, Elizabeth Keith, Sidney Davis, Karen Spigel, and Odette Gutierrez del Arroyo.

I am a theatre kid, so of course I was game to listen to this one. But, admittedly, turning a Broadway-style show into an audiobook seemed like a bit of a leap. This has all the music numbers plus the talking bits, so it is technically different from the soundtrack. It’s an interesting tactic, and I’ll be eager to see if they reach a wider audience for trying it!

The story here is the passing of the 19th Amendment to the US Constitution, giving women the right to vote. We follow several women who were working to get this passed for years before it happened. The first lead we really get to know is Alice Paul, who was educated in Britain, and learned from the women’s suffrage movement there.

As the story progresses, though, it gets much more complicated. Race becomes an issue – will black and white women receive the same rights at the same time? Some leaders of the movement think this fight should be fought at the state level, instead of aiming for one nationwide law. Some worry that it would seem unpatriotic to criticize any aspect of the current government as the US heads into World War I. There are even entanglements between the women’s suffrage movement and the temperance/prohibition movement.

This is a lot to include, but I felt the musical managed to do so quickly and succinctly, without holding up the movement of the story.

The music here is standard Broadway fare – some numbers sound like show tunes, some feature a bit of gospel flair, and some sound like the piano-heavy styles we’ve all heard featured in movies set in the 1920s or so. The words are sometimes more modern, though – the idea of “reclaiming my time” plays an important role, and some of the men’s parts are reduced to them just saying “mansplain, mansplain, mansplain.” (That part made me laugh out loud, honestly.)

This is a fun little jaunt into US history – even though the story isn’t all fun and games, and the women sometimes face some serious consequences. For those of us listening at home, though, it creates a palatable way to learn more about the topic. And at just over 2.5 hours, it’s a short audiobook to take in.

The audiobook version of 19 is out now. I was given the opportunity to listen through Netgalley and Books Forward.


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“After Italy” by Anna Monardo – Review

By: Angie Haddock


“After Italy: A Family Memoir of Arranged Marriage” is the story of marriages across three generations. Starting from a marriage brokered to facilitate immigration from Southern Italy to Braddock, PA, a steel town outside of Pittsburgh, before and immediately after WWII, this memoir explores the multigenerational impact of arranged marriage.

Barnes & Noble


The author first charts the history of her maternal grandparents’ marriage. They were from the same village in Italy, and they were married when the bride was just shy of 15 and the groom was 28 years old. They were able to make the journey to America, and settled outside of Pittsburgh, where the husband co-owned a bar with his brother. The couple lived above the bar.

They only had one child, a daughter, who had heart troubles from childhood. Her parents were strict, Old World types who didn’t want her dating American boys… so they eventually took a trip back to Italy and arranged for her to marry a doctor from their home village. This time, the bride was 18 and the groom was 28.

He also had many younger brothers and sisters to care for, as his own dad had passed away. His family saw America as a promised land where he could make a ton of money to send home to support the family there. But, he had an uphill battle in both learning English, and going through a residency in the States that would allow him to get his medical license here. After his move to America, the couple actually spent the first five years of their marriage separated. The wife still lived above the bar with her parents.

Eventually, they do have two kids and buy a home together. The eldest is the author, Anna. Growing up in the U.S., and coming of age in the 60s and 70s, she is determined to marry for love, and not have a relationship like the one her parents had.

She breaks the mold for women in her family in many ways: moving to New York City, going to grad school, writing a novel. But – while she does have several boyfriends over the years – the love and marriage thing eludes her for a long time. (Is it because she had no role models of how that was supposed to work?)

I won’t give away where Anna herself ends up. But I will say that she continues to learn more about her parents’ and grandparents’ relationships even after they are gone! (Thanks to finding her mom’s diary.) This is one of those instances when, even though she thought she knew the story, there was more to it than she had known before. And so, her thoughts on this particular aspect of her life continue to evolve, even as she is in her fifties.

I found one point she makes near the end pretty interesting. She mentioned a few times how she felt like her mom’s and grandma’s lives would be different if they weren’t held back, and she blames this on her family having a patriarchal world view. But, in the end, she feels like this world view hurt her dad and grandpa, as well. All four of these ancestors were locked into marriages they didn’t choose themselves, and the men were expected to carry all the financial burdens (for both their wives, and the daughters they both had). Her views were very forgiving of these men, but overall she could see that they were all chained by the same (broken) system.

This was an interesting and quick read for me, but not always “easy” in an emotional sense. (Content Warning: domestic abuse.)

This book comes out today, and I was able to read ahead thanks to Books Forward PR.


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“Black Shield Maiden” by Willow Smith and Jess Hendel – Review

By: Angie Haddock


Lore, legend, and history tell us of the Vikings: of warrior-kings on epic journeys of conquest and plunder. But the stories we know are not the only stories to tell. There is another story, one that has been lost to the mists of time: the saga of the dark queen.

That saga begins with Yafeu, a defiant yet fiercely compassionate young warrior who is stolen from her home in the flourishing Ghanaian Empire and taken as a slave to a distant kingdom in the North. There she is thrust into a strange, cold world of savage shield maidens, tyrannical rulers, and mysterious gods.

Goodreads


I think by now, most of us have a passing familiarity with some Norse mythology – names like Thor, Odin, and Heimdall, at least. And Vikings have had their moment recently, too, on TV. But juxtaposing that lore with lore and lifestyles from Africa seemed too intriguing to pass up.

Our first main character is Yafeu (not her real name), who is living with her mother and brothers on the outskirts of her uncle’s village. Her father has left, and no one knows if he will return.

Then we meet Freydis, a princess in the North. Her mother has tried to have more children, as her father wants a male heir, but all have died except her. She feels like a constant disappointment to her parents, merely for being female.

Eventually, Yafeu is kidnapped and sold into slavery. She is rescued by some raiders in ships, only to be taken to their territory and become a slave there. So, now she’s further from home, and a slave anyway. Some rescue, huh?

Eventually, these two come together. Freydis is to be married off to and older man in another area, and wants a servant of her own to take with her. Her aunt, Alvtir – the raider who rescued Yafeu in the first place – gives Yafeu to her. They have a rocky start, but do form a bond. Freydis is just beginning to learn that she has her own skills and power. Yafeu is learning the language and customs of the kingdom she is in.

Later, after Yafeu shows her prowess as a warrior, Alvtir takes her away to train with the rest of the Hird – the group that goes out into the world to raid on behalf of the king. Alvtir has been demoted, and is no longer in charge of the Hird, but there is a small band of raiders who are still loyal to her. A few are even women! Yafeu fits in as well as can be with this lot.

A lot more happens in the back third or so of the book – big, exciting, climactic things – but I don’t want to spoil it.

This one is a little long, and it took a while for it to pick up. Not to say we didn’t need introductions to these characters and their different worlds, mind you – but I felt like it started to move more once the stories were moving together.

This book would appeal to those who like mythology, sword fights, and the like. Possibly the “Game of Thrones” folks (just as one example). It just came out yesterday, and I read ahead through Netgalley and Random House/Del Rey.


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